Draw strength of Chinese, Mongol and Manchu bows
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Altaica Militarica
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Draw strength of Chinese, Mongol and Manchu bows
Dear colleagues!
There is a problem with draw strength of Mongol/Manchu/Chinese bows. E.g. Meng Hong wrote that the draw strength of Mongolian bow (1221) exceeded 1 shi (common understanding of this measure of weight is 71 kgs). It is stated in "Sanchao beimeng huibian", that Nuzhen bows were of 7 dou and Song bows were of 10 dou. Commom meaning of dou is 6,2 kgs!
What is the real draw weight of all these bows?
I found a statement of late Russian scholar of Buryad origin N. Munkuev that 1 shi was equal of 29,96 kgs. One of rare meaning of dou is 1,5 kgs or 2,5 cutties.
Are there any ideas regarding the matter?
Best regards,
Alexey.
There is a problem with draw strength of Mongol/Manchu/Chinese bows. E.g. Meng Hong wrote that the draw strength of Mongolian bow (1221) exceeded 1 shi (common understanding of this measure of weight is 71 kgs). It is stated in "Sanchao beimeng huibian", that Nuzhen bows were of 7 dou and Song bows were of 10 dou. Commom meaning of dou is 6,2 kgs!
What is the real draw weight of all these bows?
I found a statement of late Russian scholar of Buryad origin N. Munkuev that 1 shi was equal of 29,96 kgs. One of rare meaning of dou is 1,5 kgs or 2,5 cutties.
Are there any ideas regarding the matter?
Best regards,
Alexey.
- Uli
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recently there was an exhibition of mongolian culture in Bonn, Germany.
They had 2 bows, too, and stated an estimated draw weight of 60-70 lbs.
The better preserved bow was very think, made of black horn and when unstrung bent into a real C-shape.
But what surprised me most was the length of the arrows: at least 1 meter (only the fletching was more than 20cm long, the iron tip 10cm ), and a diameter on the nocking point of 1-2cm.
comments, anyone ?
Uli
They had 2 bows, too, and stated an estimated draw weight of 60-70 lbs.
The better preserved bow was very think, made of black horn and when unstrung bent into a real C-shape.
But what surprised me most was the length of the arrows: at least 1 meter (only the fletching was more than 20cm long, the iron tip 10cm ), and a diameter on the nocking point of 1-2cm.
comments, anyone ?
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Altaica Militarica
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- Stephen Selby
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Altaica Militarica
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But what is regarding distances listed in "Zhengnan shefa"?
I think "bu" here is 1,5 or 1,6 meters as the usual pass of a man varies from 0,7 till 1 meter and so it could not be used in measurement of distance during military exams.
Dear Stephen, could you tell me the name of the Ming manual whish prescribed to shot from 30 "bu" for mounted archers?
Best wishes,
Alexey.
I think "bu" here is 1,5 or 1,6 meters as the usual pass of a man varies from 0,7 till 1 meter and so it could not be used in measurement of distance during military exams.
Dear Stephen, could you tell me the name of the Ming manual whish prescribed to shot from 30 "bu" for mounted archers?
Best wishes,
Alexey.
- Uli
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Altaica Militarica
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Thank you a lot. So, I see there are non-standard measures used for that bow. But in "Meng-da bei lu" (appr. 1221) it is stated that Mongolian bows were of 1 shi (29,96 kgs). It correlates with your data very well!Uli wrote:Sdrawstwui Alexey,
Sorry I cannot answer all your questions, but they told us that 60lbs = 30kg.
Uli
Thank you again,
Alexey.
- Uli
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Hey Alexey,
I found a photo of the bow + arrow + clothes set I was talking of.
There is no description of draw/weights but interestingly it says arrow length = 105 cm (!)
Uli
I found a photo of the bow + arrow + clothes set I was talking of.
There is no description of draw/weights but interestingly it says arrow length = 105 cm (!)
Last edited by Uli on Mon May 17, 2010 12:57 am, edited 1 time in total.
- Uli
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and, some interesting pictures (iranian and european, 13-14. century)
Question: As you can see, they show the mongol bows without string bridges (!) like the hungarian and cotan ones - ideas, anybody ?
Question: As you can see, they show the mongol bows without string bridges (!) like the hungarian and cotan ones - ideas, anybody ?
Last edited by Uli on Mon May 17, 2010 12:57 am, edited 1 time in total.
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jack farrell
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- Bede
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The painting appears to be a section out of a Shahnama, perhaps the Demotte. It may have been painted in Tabriz in the mid 1300s. It is doubtful that the artists were very aware of string bridges (artistic styles were often conservative), though the earliest representation of one is in another Ilkhanid miniature in the World History of Rashid ed-Din from 1310-30. However, the overall shape of the bows was similar to the picture you have.
At this time the last third of the ear was recurved at a slight angle. The more Turkish style of ear started to appear in the 1400s. String bridges were never universal. The Krim Tatars, Persians and Bashkirs used them in the west, the Koreans, Ming and Qing used them in the east.
Mongols used them in the Qing armies, but the Omnogrov bow did not have them. It was in a different style from modern Mongol bows, but did look like the early Chinggisid bows.
At this time the last third of the ear was recurved at a slight angle. The more Turkish style of ear started to appear in the 1400s. String bridges were never universal. The Krim Tatars, Persians and Bashkirs used them in the west, the Koreans, Ming and Qing used them in the east.
Mongols used them in the Qing armies, but the Omnogrov bow did not have them. It was in a different style from modern Mongol bows, but did look like the early Chinggisid bows.
Bede
- Stephen Selby
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The kit in the first photo looks like 19th Century Tibetan.
Mongol bows of the time of the Mongol Empire did not have string bridges. It is only the modern ones, modelled on Qing bows, that do.
On the photo captioned "Mongol army (Iranian drawing, 14th century)" I am quite curious about the way the bow holsters point forward and touch the foreleg of the horses. What do you think of that, Bede?
S.
Mongol bows of the time of the Mongol Empire did not have string bridges. It is only the modern ones, modelled on Qing bows, that do.
On the photo captioned "Mongol army (Iranian drawing, 14th century)" I am quite curious about the way the bow holsters point forward and touch the foreleg of the horses. What do you think of that, Bede?
S.
- Uli
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- Bede
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Stephen,
The painting of this period emphasises the shortness of the stirrup leathers and the artists had problems with proportions. This was added to by the habit of experimenting with the angles that the horsemen were portrayed from.
The normal position for the bow case in Iran and Central Asia at this time was facing backwards. I think it might have something to do with the use of hand weapons and the desire not to have the upper bow tip crowd the other weapons. The Ming and Qing as you know favoured the bow case to face forward. There were probably practical reasons for this too.
The painting of this period emphasises the shortness of the stirrup leathers and the artists had problems with proportions. This was added to by the habit of experimenting with the angles that the horsemen were portrayed from.
The normal position for the bow case in Iran and Central Asia at this time was facing backwards. I think it might have something to do with the use of hand weapons and the desire not to have the upper bow tip crowd the other weapons. The Ming and Qing as you know favoured the bow case to face forward. There were probably practical reasons for this too.
Bede
- Stephen Selby
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